March begins with a roar in the form of a lot of punk rock not to mention plenty of jazz and country
Deathbridge Disease celebrates 20 years with a big punk rock show featuring Calgary punk /metal band Citizen Rage, Total Wolf, Chernoff, Berserker and Rad Dog.
Doors open at 7 p.m The bands begin at 8 p.m.. Tickets are $15 in advance, $20 at the door.
But before that, Ellen Froese returns to host the open mic at the Owl Acoustic Lounge tonight with Jesse Northey.
Veronica Raine hosts the Slice’s open mic on Wednesday, Feb. 28.
It’s the end of the month, which means it is time for the Owl Acoustic Lounge’s monthly poetry open mic. Teri Petz is the host for the night, which begins at 8 p.m.,Wednesday, Feb. 28.
Open mics are back at Theoretically Brewing. The Jam for Hunger is Thursday at 6 p.m.
The Lethbridge Folk Club’s open mic is on Friday at McKillop United Church
It is a good week for jazz music.
HBO3 plus Ryan Heseltine and Michael Carter host the Owl Acoustic Lounge’s monthly jazz jam on Thursday, Feb. 29.
Paul Holden and James Oldenburg are also playing Streatside Eatery, Saturday, March 2 from 5:30-7:30 p.m.
Sheena Lawson and Randy Paskuski return to the Watertower Grill to play some jazz music from 6-8 p.m. on Wednesday.
Sheena Lawson has a busy week as she brings the LoveCats to The Kingsman Alehouse to celebrate their eighth anniversary on Friday.
Local country rock band Coyote Junction return to the Casino Lethbridge stage for the weekend.
Also in a country vein, Breanne Urban and Train Wreck plays the 1010 Pub on Friday at 8 p.m.
And Fourth Place Ribbons return to the Owl Acoustic lounge to play some country music, Friday, March 1.
Cal Toth and Anna McBryan bring dueling pianos back to Honkers Pub on Saturday, March 2. Tickets are $20 in advance, $25 on the day of the show. The show begins at 7 p.m. for the show, which begins at 8 p.m.
For laughs, Randy Webb hosts Pro-Amateur night at Good Times Comedy club, Wednesday at 7 p.m. Todd Ness returns to Good Times Friday and Saturday. Tickets are $19.95.
— By Richard Amery, L.A.Beat Editor